Reduces the blue cast typically associated with underwater lighting. Use under “cool white” fluorescent lights. Use under “warm white” fluorescent lights. Choose for warmer whites in scenes lit by incandescent bulbs. Choose for whiter whites in scenes lit by incandescent bulbs. Optionįor natural colors, choose a white balance option that matches the light source. Increase the range of tones available for rendering blues. Increase the range of tones available for rendering colors that tend to be highly saturated, such as reds, yellows, and greens. f MONOCHROME+G FILTER: Produces pleasing skin tones in portrait.Īdd a film grain effect.d MONOCHROME+R FILTER: Enhances contrast and darkens skies considerably.e MONOCHROME+Ye FILTER: Slightly enhances contrast and darkens skies.Available with yellow ( Ye), red ( R), and green ( G) filters, which deepen shades of gray corresponding to hues complementary to the selected color. b ACROS+G FILTER: Produces pleasing skin tones in portrait.c ACROS+R FILTER: Enhances contrast and darkens skies considerably.d ACROS+Ye FILTER: Slightly enhances contrast and darkens skies.Shoot in Black and White In rich details with sharpness. Unique color with low saturation and high contrast. Soft color and rich shadow tone suitable for film look movie. Ideal for portrait with soft gradations and skin tones.Įnhanced color with hard tonality to increase image depth. Ideal for portrait with slightly enhanced contrast. Soft color and enhanced shadow contrast for a calm look. Softer color and contrast for a more subdued look. Vibrant reproduction, ideal for landscape and nature. This option is available when the mode dial is rotated to AUTO or SP. Choose a palette according to your subject and creative intent. Simulate the effects of different kinds of film, including black-and-white (with or without color filters). For fine-tuning the contrast of your images in seven levels, from -3 to +3. Quality is about the same as UNCOMPRESSED, but the resulting files are anywhere from about 25 to 35 percent of their uncompressed size. To reproduce the subjects unique colors and gradations with maximum. RAW images are compressed using a “lossy”, non-reversible algorithm. Quality is the same as UNCOMPRESSED, but the resulting files are anywhere from about 30 to 90 percent of their uncompressed size. The images can be viewed in Capture One Express Fujifilm, RAW FILE CONVERTER EX powered by SILKYPIX, FUJIFILM X RAW STUDIO, or other software that supports “lossless” RAW compression. RAW images are compressed using a reversible algorithm that reduces file size with no loss of image data. Option selected by pressing function button to which RAW is assignedĬhoose whether to compress RAW images. Option currently selected for IMAGE QUALITY Press the button once to select the option in the right column, again to return to the original setting (left column). To toggle RAW image quality on or off for a single shot, assign RAW to a function button ( a Function Controls).
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